With what resignation we arrive at the end of life, resigned to all its failures on the one hand, all its uncertainties on the other, for so long I h… - Berthe Morisot

He [Renoir] is a subtle and brilliant draughtsman.. ..all these preliminary drawings [in Renoir's studio] would astonish the public who obviously imagine the 'Impressionists' work at tremendous speed. I don't believe one can go further [in making sketches as studies] than this in the study of form in a drawing. I am charmed by his 'Nude Bathers' quite as much as those by Ingres. He [Renoir] tells me that he thinks the nude is absolutely indispensable as an art form.

This project [an Impressionist exhibition in Paris] is very much up in the air. Degas' perversity makes it almost impossible of realization; there are clashes of vanity in this little group [of impressionists] that make any understanding difficult. It seems to me that I am the only one without any pettiness of character. This makes up for my inferiority as a painter.. ..the truth is that our value [of woman] lies in feeling, in intuition, in our vision that is subtler than that of men, and we can accomplish a great deal provided that affectation, pedantry and sentimentalism do not come to spoil everything.

He [Manet] came about one o'clock [the day for submitting works for The Paris Salon of 1870]. he found it [ 'Reading', Berthe's double-portrait of her mother with her pregnant sister Edma] very good, except for the lower parts of the dress. He took the brushes and put in a few accents.. ..mother was in ecstasies. That is where my misfortune began. Once started, nothing could stop him, from the skirt he went to the bust, from the bust to the head, from the head to the background. He cracked a thousand jokes, laughed like a madman, handed me the palette, took it back; finally by five o'clock in the afternoon we had made the best caricature you have ever seen.