The whole landscape lies behind the transparent gauze of the fog that now rises, drawn upwards by the sun, and as it rises, reveals the silver-spangl… - Jean-Baptiste Camille Corot

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The whole landscape lies behind the transparent gauze of the fog that now rises, drawn upwards by the sun, and as it rises, reveals the silver-spangled river, the fields, the cottages, the further scene. At last one can discern all that one could only guess at before.. .The sun is up! There is a peasant at the end of the field, with his wagon drawn by a yoke of oxen.. .Everything is bursting into life, sparkling in the full light – light, which as yet is still soft and golden. The background, simple in line and harmonious in colour, melts into the infinite expanse of sky, through the bluish, misty atmosphere. The flowers raise their heads the birds flutter hither and thither.. .The little rounded willows on the bank of the stream look like birds spreading their tails. It's adorable! And one paints! And paints!

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About Jean-Baptiste Camille Corot

Jean-Baptiste-Camille Corot (16 July 1796 – 22 February 1875) was a French landscape and portrait painter as well as a printmaker in etching and famous art teacher in Paris. Corot was a leading figure in the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism

Also Known As

Alternative Names: Jean-Baptiste-Camille Corot Jean-Baptiste Corot Camille Jean-Baptiste Corot Camille Jean Baptiste Corot Kamilʹ Koro Camille-Jean-Baptiste Corot Kamill Korot Kamill Koro J.-B. Camille Corot Keluo Jean Baptiste Camille Corot Camille Corot Pére Corot Corot Pere Corot Jean-Baptiste C. Corot C. Corot camille-j.-b. corot Jean B. C. Corot J.B. Camille Corot J. B. Camille Corot jbc corot j. b. c. corot J.B.C. Corot B. C. Corot jean baptiste corot i. b. c. corot Jean Bapt. Corot J.-B. Corot c. corot j. t. P. corot J. B. C. Corot corot jean baptiste camille Jean Baptiste C. Corot jean baptist corot jean bapt. camille corot Jean B. Cam. Corot Jean Bapt. Camille Corot j. b. camille corot jean-bapt. camille corot j. b. corot j.b. corot camille corot corot camilie-jean-baptiste j.b.c. corot Jean Bapt. C. Corot jean baptist camille corot corot j.b.c. b. camille corot jean camille corot corot j. b. c.
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Additional quotes by Jean-Baptiste Camille Corot

I am never in a hurry to reach details. First and above all I am interested in the large masses and the general character of a picture; when these are well established, then I try for subtleties of form and color. I rework the painting constantly and freely, and without any systematic method.

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The first two things to study are form and values. For me, these are the bases of what is serious art. Color and finish put charm into one’s work.. ..it seems to me very important to begin by an indication of the darkest values (assuming that the canvas is white), and to continue in order to the lightest value. From the darkest to the lightest I would establish twenty shades.. .Never lose sight of that first impression by which you were moved. Begin by determining your composition. Then the values – the relation of the forms to the values. These are the basis. Then the color, and finally the finish.

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