She slept and sleeping she dreamt that she was running after a train with her brother running along the cinderpath and in the morning she put that in… - Cormac McCarthy

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She slept and sleeping she dreamt that she was running after a train with her brother running along the cinderpath and in the morning she put that in her letter. We were running after the train Bobby and it was drawing away from us into the night and the lights were dimming away in the darkness and we were stumbling along the track and I wanted to stop but you took my hand and in the dream we knew that we had to keep the train in sight or we would lose it. That following the track would not help us. We were holding hands and we were running and then I woke up and it was day.

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About Cormac McCarthy

Cormac McCarthy (born Charles Joseph McCarthy Jr.; July 20, 1933 – June 13, 2023) was an American novelist, playwright, short-story writer, and screenwriter. He wrote twelve novels, spanning the Southern Gothic, Western, modernist, and post-apocalyptic fiction genres.

Biography information from Wikiquote

Also Known As

Birth Name: Charles Joseph McCarthy Jr.
Alternative Names: Charles McCarthy Charles Joseph McCarthy
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Additional quotes by Cormac McCarthy

The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun's coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.

I never had any doubts about my abilities. I knew I could write. I just had to figure out how to eat while doing this.

[Cormac McCarthy's Venomous Fiction, New York Times, April 19, 1992]

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A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.

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