Science has always been in conflict with narratives. Judged by the yardstick of science, the majority of them prove to be fables. But to the extent t… - Jean-François Lyotard

Our working hypothesis is that the status of knowledge is altered as societies enter what is known as the postindustrial age and cultures enter the postmodern age.

...The sublime feeling is not mere pleasure as taste is – it is a mixture of pleasure and pain... Confronted with objects that are too big according to their magnitude or too violent according to their power, the mind experiences its own limitations.

In the discussion we had last year at Siegen, in this regard, emphasis was put on the sort of emptiness that has to be obtained from mind and body by a Japanese warrior-artist when doing calligraphy, by an actor when acting: the kind of suspension of ordinary intentions of mind associated with habitus, or arrangements of the body. It’s at this cost, said Glenn and Andreas, … that a brush encounters the “right” shapes, that a voice and a theatrical gesture are endowed with the “right” tone and look. The soliciting of emptiness, this evacuation—very much the opposite of overweening, selective identificatory activity—doesn’t take place without some suffering. … The body and mind have to be free of burdens for grace to touch us.