You're very comforting, I don't know why. You're like a very small casserole – has anyone ever told you that? - Sarah Ruhl

I hate parties.
And a wedding is the biggest party of all.
All the guests arrived and Orpheus is taking a shower.
He's always taking a shower when the guests arrive so he doesn't have to greet them.
Then I have to greet them.

A wedding is for daughters and fathers. The mothers all dress up, trying to look like young women. But a wedding is for a father and daughter. They stop being married to each other on that day.

I always thought there would be more interesting people at my wedding.

Once the language was in the actors’ minds, and their bodies were freed from blocking, and in relationship to real architecture, they became virtuosic. Metaphor suddenly had a more intimate relationship with reality. The actor was real, the staircase was real, the emotion was real, and the language floated on top.

I think there has never been a more misunderstood phrase than drama is conflict, conflict is drama. Instead of thinking of conflict, I like to think of dialectic, a need for opposites that undermine each other. Or, I think about the need for contrast in painting. Paintings don't need large family fights and mudslinging, but they do need contrasts of color and shade. Of course, watching people insulting other people is entertaining, as are arm wrestling, bearbaiting, and the like. But I'm not sure that it's necessary to the drama, for drama is also a spectacle, A thing of interesrt, a thing happening , an event eventing, which us not necessarily a thing fighting. Though fighting can certainly be dramatic, it is not a necessary precondition to the dramatic.