I am anxious that the world should be inclined to look to painters for information about painting. I hope to show that ours is a regularly taught pro… - John Constable

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I am anxious that the world should be inclined to look to painters for information about painting. I hope to show that ours is a regularly taught profession; that it is scientific as well as poetic; that imagination alone never did, and never can, produce works that are to stand by a comparison with realities; ; and to show, by tracing the connecting links in the history of landscape painting, that no great painter was ever self-taught.

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About John Constable

John Constable (11 June 1776 – 31 March 1837) was an English Romantic painter. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale, the area surrounding his home. He was one of the earliest painters who painted with oil in 'plain air'; he made a lot of fresh and direct oil-sketches of the English landscape. john constable painted the scene of woods and water in 1830.

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Also Known As

Alternative Names: Dzhon Konsteblʹ Dzhon Konstabŭl R. A. John Constable Kʻang-ssŭ-tʻê-pu-êrh J. Constable R.A. Constable J. Constable R.A. Constable Jn. Constable John Constable R. A. John Constable R.A.
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Additional quotes by John Constable

But the sound of water escaping from mill-dams, &c., willows, old rotten planks, slimy posts, and brickwork, I love such things. Shakespeare could make everything poetical; he tells us of poor Tom's haunts among "sheep cotes and mills." As long as I do paint, I shall never cease to paint such places. They have always been my delight.

The landscapes of Ruysdael present the greatest possible contrast to those of Claude, showing how powerfully, from the most opposite directions, genius may command our homage. In Claude's pictures, with scarcely an exception, the sun ever shines. Ruysdael, on the contrary, delighted in, and has made delightful to our eyes, those solemn days, peculiar to his country and to ours, when without storm, large rolling clouds scarcely permit a ray of sunlight to break the shades of the forest.

I ought to respect myself for my friends' sake, and my children's. It is time, at fifty-six, to begin, at least, to know oneself, — and I do know what I am not, and your regard for me has at least awakened me to believe in the possibility that I may yet make some impression with my "light" — my "dews" — my "breezes" — my bloom and freshness, — no one of which qualities has yet been perfected on the canvas of any painter in the world.

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