The revolutionaries thought they would be destroying vanity when they destroyed the privileges of the noble. But vanity is like a virulent cancer tha… - René Girard

It is the Other whom one must love as oneself if one does not desire to idolize and hate the Other in the depths of the underground.

"3. The Greek pharmakoi, singular pharmakos, refers to victims who were ritually beaten, driven out of cities, and killed, for example, by being forced over the edge of a precipice. The word pharmakos, designating a person who is selected as a ritual victim, is related to pharmakon, which means both "remedy" and "poison," depending on the context. In the story of the horrible miracle of Apollonius, the beggar is a pharmakos, a kind of ritual victim. Apollonius points to him as the demon causing the plague (he is the source of pollution or poison), but his lynching restores the well being of Ephesus (he becomes the remedy for the crisis). — Trans. 4."

An examination of our terms, such as competition, rivalry, emulation, etc., reveals that the traditional perspective remains inscribed in the language. Competitors are fundamentally those who run or walk together, rivals who dwell on opposite banks of the same river, etc…The modern view of competition and conflict is the unusual and exceptional view, and our incomprehension is perhaps more problematic than the phenomenon of primitive prohibition. Primitive societies have never shared our conception of violence. For us, violence has a conceptual autonomy, a specificity that is utterly unknown to primitive societies. We tend to focus on the individual act, whereas primitive societies attach only limited importance to it and have essentially pragmatic reasons for refusing to isolate such an act from its context. This context is one of violence. What permits us to conceive abstractly of an act of violence and view it as an isolated crime is the power of a judicial institution that transcends all antagonists. If the transcendence of the judicial institution is no longer there, if the institution loses its efficacy or becomes incapable of commanding respect, the imitative and repetitious character of violence becomes manifest once more; the imitative character of violence is in fact most manifest in explicit violence, where it acquires a formal perfection it had not previously possessed. At the level of the blood feud, in fact, there is always only one act, murder, which is performed in the same way for the same reasons in vengeful imitation of the preceding murder. And this imitation propagates itself by degrees. It becomes a duty for distant relatives who had nothing to do with the original act, if in fact an original act can be identified; it surpasses limits in space and time and leaves destruction everywhere in its wake; it moves from generation to generation. In such cases, in its perfection and paroxysm mimesis becomes a chain reaction of vengeance, in which human beings are constrained to the monotonous repetition of homicide. Vengeance turns them into doubles.