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From the shrine of the god of light, I descended to that of Sideswar, the god of the monastic orders, obscurely buried in an excavation of the rock, … - James Tod
" "From the shrine of the god of light, I descended to that of Sideswar, the god of the monastic orders, obscurely buried in an excavation of the rock, dismal and damp, the low roof supported by a few crumbling columns. One might fancy this the cave of Delphos, though the perceptions of our blind oracle proved far more acute than those of most of his brethren. However rudely executed, all was strictly characteristic of “hell’s dark abode.” Besides statues of Hinglaz Mata, and Patal-eswar, ‘lord of the infernal regions,’ there were nine small figures in high relief, carved on the frieze of a miniature shrine, said by the blind minister to be “the images of those who rule the destiny of man.” There was a small square court in front of the cave, whose walls have been repaired or constructed out of the ruins of other temples, having fragments of the gods in every attitude. It is shaded by some fine Burr trees, which are sacred to Siva. Although there is nothing attractive here, yet whoever is conversant with mythology will be struck, not only by the classical nature of the cave-temple, but by the perfect contrast it exhibits between the powers of light and darkness, in juxtaposition, and the rapid transition of the votary from the one to the other. The spot where Krishna resigned his breath From this cave I proceeded to a spot, deemed by the Hindu the holiest of the holy, where the shepherd-god resigned his breath.… A Peepul sapling, averred to be “a scion of the original tree,” marks the spot where the Hindu Apollo expired, and a flight of steps conducts to the bed of the ‘golden’ Hiranya, for the pilgrim to lustrate himself. This place of purification bears the name of Swergadwara, or ‘door of bliss,’ and contends with that of Deva-puttun for superior efficacy in absolving from sin. It is adorned by two beautiful reservoirs, called the Bhalca and Padma-coondas, the ‘dart and lotus fountains.’ The former is a dodecahedron, whose diameter is about three hundred feet. The lotus-coond is smaller, having its surface covered with this elegant flower, sacred to Kanya [Lord Krishna], and whence his most euphonous appellation, Comala, is derived; while on its eastern bank there is a small shrine to Mahadeo. These fountains are peculiarly sacred in the eyes of the followers of the shepherd-god, and were so in Akber’s time; for Abulfazil devotes some space to the holy pilgrimages of Peepulsirr and Bhalcateerut (bhal, ‘a dart’). Mooslmen intolerance is strikingly obvious in the erection of a place of prayer touching the consecrated Peepul, and although the government of these regions has now long been under Hindu princes of strong religious zeal, the offensive Musjid remains undisturbed, furnishing a powerful contrast between the amiable endurance of the one, and the bigotry of the other faith…
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About James Tod
Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an English-born officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.
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Lieutenant-Colonel James Tod
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Additional quotes by James Tod
It is worthy the attention of those who influence the destinies of States in more favoured climes, to estimate the intensity of feeling which could arm this prince to oppose the resources of a small principality against the then most powerful empire of the world, whose armies were more numerous and far more efficient than any ever led by the Persian against the liberties of Greece. Had Mewar possessed her Thucydides or her Xenophon, neither the wars of the Peloponnesus nor the retreat of the ‘ten thousand’ would have yielded more diversified incidents for the historic muse, than the deeds of this brilliant reign amid the many vicissitudes of Mewar. Undaunted heroism, inflexible fortitude, that which ‘keeps honour bright,’ perseverance,—with fidelity such as no nation can boast, were the materials opposed to a soaring ambition, commanding talents, unlimited means, and the fervour of religious zeal; all, however, insufficient to contend with one unconquerable mind. There is not a pass in the alpine Aravalli that is not sanctified by some deed of Partap,—some brilliant victory or, oftener, more glorious defeat. Haldighat is the Thermopylae of Mewar; the field of Dawer her Marathon.
The affinity that this word (Hakra) has botli to the Ghaggar, and Sankra,” would lead to the conclusion of either being the stream referred to. The former we know as being engulphed in the sands about the Hariana confines, while the Sankra is a stream which, though now dry, was used as a line of demarcation even in the time of Nadir Shah. It ran eastward, parallel with the Indus, and by making it his boundary Nadir added all the fertile valley of the Indus to his Persian kingdom.
SIDPOOR – JUNE 20th – In the infancy of our geography of India, the illustrious D’ Anville said of this city, “ville qui tire son nom des Shites, ou toiles peintes, qui s’y fabriquent;” but it boasts of a more dignified etymology, being called after its patron, the Balhara prince, Sid-Rae. By some he is supposed to be the founder, but there is every reason to believe that he was only the renovator, of this place, the position of which on the Sarasvati, flowing from the shrine of Ambabhavani, is well-chosen. Here are the remains of what in past ages must have been one of the grandest efforts of Hindu architecture, a temple dedicated to Siva, and termed Roodra-Mala, or ‘the chaplet of Roodra,’ the god of battle; but so disjointed are the fragments, that it is difficult to imagine what it may have been as a whole. They are chiefly portions of porticoes, one of which tradition names the prostyle of the munduff, or vaulted mansion occupied by the bull, companion of Roodra, whose sanctum was converted into a mosque. It is said to have been a rectangular building, five stories in height, and if we may judge from one portion yet remaining, this could not have been less than one hundred feet…I found two inscriptions, from one of which I learned that it was commenced by Raja Moolraj [the founder of the Solankhi dynasty of Anhilwara], in S. 998 [A.D. 942], and from the other that it was finished by Sid-Raj…A couplet records its destruction by All-u-din – “In S. 1353 [A.D. 1297], came the barbarian Alla: the Roodra-Mala he levelled, “carrying destruction amongst the lords of men.”
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