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" "Tyrants or ruling classes that despoil their countries for personal gain are nothing new. If that were all we had today, our situation would be much more understandable. And we do, in part, have that. Our ruling class is rich and rapacious—rich because rapacious, and eager to be richer still by taking what little you have left. Yet elite enthusiasms extend well beyond mere greed. There is a malice in them atypical to the native despot, one found historically only or largely among the most punitive conquerors. A tyrant fears a healthy population, to be sure, because such is always a threat to his power. This fear typically inspires little beyond efforts to ensure that the population is dependent and unarmed—two aims of our overlords, it need hardly be added. Tyrants or ruling classes that despoil their countries for personal gain are nothing new. But our elites also go much further. They seem determined to make the American population fat, weak, ugly, lethargic, drug-addled, screen-addicted, and hyper-sexualized, the men effeminate and the women masculine. Those last two actually barely scratch the surface of the agenda, which includes turning males into “females” and vice versa—or into any one of a potentially infinite number of “genders.” (The number varies depending on which source you check; sixty-three is the highest I could find. Needless to say, no establishment source stops at “two.”) The regime promotes every imaginable historic form of degeneracy—and then invents new ones undreamt of by Caligula, the Borgias, or Catherine the Great.
Michael Anton (born 1969) is an American conservative essayist, speechwriter and former private-equity executive who was a senior national security official under the Trump administration.
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The promotion of ugliness deserves special attention. The autocrats of old wanted to be known for their patronage of beauty, the arts, and great works. This is one meaning of Shelley’s “Ozymandias,” and also of Augustus’s boast that he found Rome a city of brick and left it a city of marble (to say nothing of having commissioned the Aeneid). A stroll through any city in Europe, and in most of the Americas, finds the same sentiment everywhere—until about the middle of the twentieth century, when suddenly everything turned brutalist, and brutally ugly, and not just the buildings, but the art, the literature, the music, almost everything.
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It’s like these mostly Irish, Italian, and Polish Catholics who worked construction, on the docks, and in the police and fire departments never existed, were never part of the scene. In modern San Francisco’s self-conception, there were the Native Americans who had the land stolen out from under them—then fast-forward to the hippies, the gays, the hipsters, the techies, and the oligarchs. American California isn’t merely gone; it never was.