The 1960s struck me as such an exciting decade in which to start the novel—it was the time of independence movements across Africa, the Civil Rights … - Sarah Ladipo Manyika

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The 1960s struck me as such an exciting decade in which to start the novel—it was the time of independence movements across Africa, the Civil Rights movement in the US, and various countercultural movements across Europe. Artists ranging from Bob Dylan to Fela Kuti and the Beatles were amongst many to herald this change. But because I hadn’t lived through this decade myself, I had to do a lot of research for In Dependence for it to feel as historically authentic as possible. I loved the research which included reading back issues of local magazines and newspapers and interviewing people who’d lived through the period.

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About Sarah Ladipo Manyika

Sarah Ladipo Manyika (born 7 March 1968) is a British-Nigerian writer of novels, short stories, essays, and an active member of the literary community, particularly supporting and amplifying young writers and female voices.

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My main goal is to make progress on my current novel. I’d also like to play more with the new tools of artificial intelligence (AI) and have more conversations with writers about the future of writing in this age of AI, not just about what we might lose but what we might gain too.

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My first thought is that there are, of course, harsher forms of exile. Morayo does at least have a comfortable place to live, food to eat, and access to health care. I also suspect that Morayo, with thoughts of the ethnic and religious strife that had taken place in her home city of Jos, might be quick to say that the internally displaced face the cruelest form of exile.

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