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" "Doesn’t it seem as though her heart were a green flame? Perhaps it’s the cold green heart of a small green snake, with a minute flaw in it, the kind of small green snake that slithers from branch to branch in the jungle, passing itself off as a vine. What’s more, perhaps when she gave me the ring with such a gentle, loving expression, she wanted me to draw such a meaning from it some day.
Yukio Mishima (January 14, 1925 – November 25, 1970) was the pen name of Kimitake Hiraoka, a Japanese author, poet, playwright, actor, model, film director, nationalist, and founder of the Tatenokai.
Biography information from Wikiquote
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However, as words become particularized, and as men begin - in however small a way - to use them in personal, arbitrary ways, so their transformation into art begins. It was words of this kind that, descending on me like a swarm of winged insects, seized on my individuality and sought to shut me up within it. Nevertheless, despite the enemy's depredations upon my person, I turned their universality - at once a weapon and a weakness - back on them, and to some extent succeeded in using words to universalize to my own individuality.
By setting my fetish for reality and physical existence and my fetish for words on the same level, by making them an exact equation, I had already brought into sight the discovery I was to make later. From the moment I set the wordless body, full of physical beauty, in opposition to beautiful words that imitated physical beauty, thereby equating them as two things springing from one and the same conceptual source, I had in effect, without realizing it, already released myself from the spell of words. For it meant that I was recognizing the identical origin of the formal beauty in the wordless body and the formal beauty in words, and was beginning to seek a kind of platonic idea that would make it possible to put the flesh and words on the same footing. At that stage, the attempt to project words onto the body was already only a stone’s throw away. The attempt itself, of course, was strikingly unplatonic, but there remained only one more experience for me to pass through before
I could start to talk of the ideas of the flesh and the loquacity of the body.
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I've never done much, but I've lived my whole life thinking of myself as the only real man. And if I'm right, then a limpid, lonely horn is going to trumpet through the dawn some day, and a turgid cloud laced with light will sweep down, and the poignant voice of glory will call for me from the distance — and I'll have to jump out of bed and set out alone. That's why I've never married. I've waited, and waited, and here I am past thirty.