An original is a creation motivated by desire. Any reproduction of an original is motivated by necessity. The original is the result of an automatic … - Man Ray

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An original is a creation motivated by desire. Any reproduction of an original is motivated by necessity. The original is the result of an automatic process, the reproduction, of a mechanical process. In other words: Inspiration then information; each validates the other. All other considerations are beyond the scope of these statements. It is marvelous that we are the only species that creates gratuitous forms. To create is divine, to reproduce is human.

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About Man Ray

Emmanuel Radnitzky (known as Man Ray; August 27, 1890 – November 18, 1976) was an American artist who spent most of his career in Paris, France. Perhaps best described simply as a modernist, he was a significant contributor to both the Dada and Surrealist movements, although his ties to each were informal. Best known in the art world for his avant-garde photography.

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Also Known As

Alternative Names: Man Rei Emmanuel Radenski Emmanuel Rudnitzky Emmanuel Radnitzky Emmanuel Rudnizky Emmanuel Rudnitsky Emmanuel Radnitzsky Emmanuel Radensky Emmanuel Radnitsky Emmanuel Radinski Ray Man Ray [rejected] Man Ray (Emmanuel Radnitzky)
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An original is a creation motivated by desire. Any reproduction of an originals motivated be necessity. It is marvelous that we are the only species that creates gratuitous forms. To create is divine, to reproduce is human.

Additional quotes by Man Ray

The tricks of today are the truths of tomorrow.

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l paint what cannot be photographed, and l photograph what l do not wish to paint. lf it is a portrait that interests me, a face, or a nude, I will use my camera. It is quicker than making a drawing or a painting. But if it is something I cannot photograph, like a dream or a subconscious impulse I have to resort to drawing or painting. To express what I feel I use the medium best suited to express that idea, which is also always the most economical one. l am not at all interested in being consistent as a painter, and object-maker or a photographer. I can use several different techniques, like the old masters who were engineers, musicians and poets at the same time. I have never shared the contempt shown by painters for photography: there is no competition involved, painting and photography are two media engaged in different paths. There is no conflict between the two.

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