We should not allow ourselves to believe that writers like Poe have more imagination than those who are content with describing things as they really… - Eugène Delacroix

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We should not allow ourselves to believe that writers like Poe have more imagination than those who are content with describing things as they really are. It is surely easier to invent striking situations in this way than to tread the beaten track which intelligent minds have followed throughout the centuries.

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About Eugène Delacroix

Eugène Delacroix (April 26 1798 – August 13 1863) was a French painter, one of the leading artists of Romanticism in Europe of the nineteenth century.

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Also Known As

Alternative Names: Ferdinand Victor Eugène Delacroix Ferdinand-Victor-Eugène Delacroix Ferdinand-Victor-Eugene Delacroix Eugene Delacroix Ferdinand-Eugène-Victor Delacroix Ferdinand Victor Eugene Delacroix Ferdinand-Eugene-Victor Delacroix Delacroix
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Poor deluded people, there will be no happiness for you in release from work! See these idle loafers who seem overburdened with the weight of time and have no idea what to do with their leisure which these machines will increase still further. In other times, travelling was a distraction for them, it took them out of their usual rut; they saw new countries and new customs…Nowadays they are carried so swiftly from place to place that they have no time to see anything; they mark off the stages of their journeys by names of railway stations which look exactly alike, and when they’ve crossed the whole of Europe they feel as though they have never left these dull stations which appear to follow them everywhere, like their own idleness and incapacity for enjoyment. It will not be long before they discover that the costumes and strange customs which they crossed the earth to see are the same all over the world. (6 June 1855).

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If you make the light dominate too much, the breadth of the planes leads to the absence of half tints, and consequently to discoloration; the opposite abuse is harmful above all in big compositions destined to be seen from a distance, like ceilings, etc. In the latter form of painting, Paul Veronese goes beyond Rubens through the simplicity of his local color and his breadth in handling the light.. .Veronese had greatly to strengthen his local color in order that it should not appear discolored when immunized by the very broad light he threw on it.

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