I want to reach the state of condensation of sensations which constitutes a picture. Perhaps I might be satisfied momentarily with a work finished at… - Henri Matisse

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I want to reach the state of condensation of sensations which constitutes a picture. Perhaps I might be satisfied momentarily with a work finished at one sitting, but I would soon get bored looking at it; therefore, I prefer to continue working on it so that later I may recognize it as a work of my mind..

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About Henri Matisse

Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist. Particularly known for his striking use of colour, Matisse is one of the very few indisputable giants of modern art, alongside Pablo Picasso and Wassily Kandinsky.

Biography information from Wikiquote

Also Known As

Alternative Names: Henri-Émile-Benoît Matisse Henri Emile Benoît Matisse Henri Emile Benoit Matisse Henri-Emile-Benoît Matisse Henri-Emile-Benoit Matisse H. Matisse matisse h. h. matisse matisse henri Henri-Matisse Matisse Anri Matiss
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Additional quotes by Henri Matisse

I try to condense the meaning of this body [of a woman] by drawing its essential lines. The charm will then become less apparent at first glance, but in the long run it will begin emanate from the new image. This image at the same time will be enriched by a wider meaning, a more comprehensively human one, while the charm, being less apparent, will not be its only characteristic. It will be merely one element in the general conception of the figure.

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Expression for me does not reside in passions glowing in a human face or manifested by violent movement. The entire arrangement of my picture is expressive; the place occupied by my figures, the empty space around them, the proportions, everything has its share. Composition is the art of arranging in a decorative manner the diverse elements at the painter's command to express his feelings. In a picture every part will be visible and will play its appointed role, whether it be principal or secondary. Everything that is not useful in the picture is, it follows, harmful. A work of art must be harmonious in its entirety: any superfluous detail would replace some other essential detail in the mind of the spectator.

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