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" "Anyway, I would not be happy to see a beautiful, well-proportioned woman, no matter from which point of view, however extravagant, not only lose her beauty in order to, I would say, increase in size according to the law of vision, but no longer appear beautiful, and, in fact, become monstrous.
Doménikos Theotokópoulos (Greek language: Δομήνικος Θεοτοκόπουλος, 1541–7 April 1614), most widely known as El Greco (Spanish language for "The Greek"), was a painter, sculptor, and architect of the Spanish Renaissance. The nickname "El Greco" refers both to his Greek origin and Spanish citizenship. The artist normally signed his paintings with his full birth name in Greek alphabet: Δομήνικος Θεοτοκόπουλος (Doménikos Theotokópoulos), often adding the word Κρής (Krēs, "Cretan"). El Greco is regarded as a precursor of both Expressionism and Cubism.
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[El Greco 'confined to his bed'] ..holding, believing and confessing the Faith of the Holy Church of Rome.. ..in whose Faith I have lived and die, as a faithful and Catholic Christian.. ..because of the gravity of my sickness I was unable to make a will and gives power to Jorge Manuel Teotocopuli my son, and of Doña Jerónima de las Cuevas [his wife he never married], who is a person of honesty and virtue [to make his testament, arrange his burial, and pay his debts, and the] remainder of my possessions to go to Jorge Manuel, as universal heir..
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If Vasari really knew the nature of the Greek style of which he speaks, he would deal with it differently in what he says. He compares it with Giotto, but what Giotto did is simple in comparison, because the Greek style is full of ingenious difficulties [= translation of Greek art historian Nicos Hadjinicolau] / full of deceptive difficulties. [= translation of Spanish art historians Xavier de Salas and Fernando María].