El Greco Quotes

It has been necessary to show the Hospital de Tavera as a model, for the building hides the Visagra Gate, and the dome obscures part of the town, and once treated as a model and moved from its place, it seemed better to me to show the main façade.. ..the rest, and its proper relationship to the town can be seen on the plan. Also, in the representation of Our Lady presenting the Chasuble to Saint Ildefonso, in making the figures large, I have applied, in some way, the observation made of celestial bodies that an illuminated body seen at a distance may appear large although it be small.

Anyway, I would not be happy to see a beautiful, well-proportioned woman, no matter from which point of view, however extravagant, not only lose her beauty in order to, I would say, increase in size according to the law of vision, but no longer appear beautiful, and, in fact, become monstrous.

Now, in order to claim some knowledge of painting, Vitruvius speaks of the consideration of the perfect human body and about how good sculptors and painters in order to make it give it a height of ten faces, and I say that according to them they have read and they say that this proportion is based on knowledge of measurement and that it happens that without it it is not possible to have proportion or consideration because those who are not cognizant of this do not count.

[El Greco 'confined to his bed'] ..holding, believing and confessing the Faith of the Holy Church of Rome.. ..in whose Faith I have lived and die, as a faithful and Catholic Christian.. ..because of the gravity of my sickness I was unable to make a will and gives power to Jorge Manuel Teotocopuli my son, and of Doña Jerónima de las Cuevas [his wife he never married], who is a person of honesty and virtue [to make his testament, arrange his burial, and pay his debts, and the] remainder of my possessions to go to Jorge Manuel, as universal heir..

I hold the imitation of colour to be the greatest difficulty of art.

..because in this way the form will be perfect and not reduced, which is the worst thing that can happen to a figure.

If Vasari really knew the nature of the Greek style of which he speaks, he would deal with it differently in what he says. He compares it with Giotto, but what Giotto did is simple in comparison, because the Greek style is full of ingenious difficulties [= translation of Greek art historian Nicos Hadjinicolau] / full of deceptive difficulties. [= translation of Spanish art historians Xavier de Salas and Fernando María].

I am neither bound to say why I came to this city nor to answer the other questions put to me.

Original: una es la imitación de los colores que yo tengo por la mayor dificultad