Painting has turned back from the non-objective way to the object, and the development of painting has returned to the figurative part of the way tha… - Kazimir Malevich

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Painting has turned back from the non-objective way to the object, and the development of painting has returned to the figurative part of the way that had led to the destruction of the object. But on the way back, painting came across a new object that the proletarian revolution had brought to the fore and which had to be given form, which means that it had to be raised to the level of a work of art.. .I am utterly convinced that if you keep to the way of Constructivism, where you are now firmly stuck, which raises not one artistic issue except for pure utilitarianism and in theater simple agitation, which may be one hundred percent consistent ideologically but is completely castrated as regards artistic problems, and forfeits half its value.. .If you go on as you are.. ..then Stanislavski will emerge as the winner in the theater and the old forms will survive. And as to architecture, if the architects do not produce artistic architecture, the Greco-Roman style of Zyeltovski will prevail, together with the Repin style in painting..

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About Kazimir Malevich

Kazimir Severinovich Malevich (23 February 1879 – 15 May 1935) was a painter, art theoretician, pioneer of geometric abstract art, and one of the most important members of the Russian avant-garde. He was also the founder of the art movement Suprematism.

Also Known As

Alternative Names: Казимир Северинович Малевич Малевиць «Азимир Севериновиц» Казимир Малевич Т. Малевича Казимир Малевіт Казимир Шеверінович Малевич Казімеж Малевич Малевич Kazymyr Severynovych Malevych Malevich Kazymyr Malevych Kazimierz Malewicz Kazimir Severinovich Malevich
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It is the experience of the speed of a plane, which was looking for an expression, a form and this caused the plane to come into existence. The plane was not built to take letters from Berlin to Moscow, but to give expression to the irresistible urge to create a form for the experience of speed.

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