The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was… - Isadora Duncan

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The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. We realize that the movement peculiar to its nature is eternal to its nature. The dancer of the future will be one whose body and soul have grown so harmoniously together that the natural language of that soul will have become the movement of the body.

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About Isadora Duncan

Angela Isadora Duncan (May 27, 1877 – September 14, 1927) was a dancer, considered by many to be the creator of modern dance. Duncan had many lovers and bore two children, Deirdre (born September 24, 1906), by theatre designer Gordon Craig, and Patrick (born 1 May 1910), by Paris Singer; both children drowned in a car accident on the Seine River on 19 April 1913, and Duncan herself died years later in another when her long scarf caught in the tires of an automobile in which she was riding, breaking her neck.

Also Known As

Native Name: Angela Isadora Duncan
Alternative Names: Aĭsedora Dunkan Izadora Dënkan A. Dunkan Angela Duncan Dora Angela Duncan
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Additional quotes by Isadora Duncan

And here I want to avoid a misunderstanding that might easily arise. From what I have said you might conclude that my intention is to return to the dances of the old Greeks, or that I think that the dance of the future will be a revival of the antique dances or even of those of the primitive tribes. No, the dance of the future will be a new movement, a consequence of the entire evolution which mankind has passed through. To return to the dances of the Greeks would be as impossible as it is unnecessary. We are not Greeks and therefore cannot dance Greek dances.

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To seek in nature the fairest forms and to find the movement which expresses the soul of these forms — this is the art of the dancer. It is from nature alone that the dancer must draw his inspirations, in the same manner as the sculptor, with whom he has so many affinities. Rodin has said: "To produce good sculpture it is not necessary to copy the works of antiquity; it is necessary first of all to regard the works of nature, and to see in those of the classics only the method by which they have interpreted nature." Rodin is right; and in my art I have by no means copied, as has been supposed, the figures of Greek vases, friezes and paintings. From them I have learned to regard nature, and when certain of my movements recall the gestures that are seen in works of art, it is only because, like them, they are drawn from the grand natural source. My inspiration has been drawn from trees, from waves, from clouds, from the sympathies that exist between passion and the storm, between gentleness and the soft breeze, and the like, and I always endeavour to put into my movements a little of that divine continuity which gives to the whole of nature its beauty and its life.

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