The warmth that I feel toward Okigbo actually comes from hearing my father speak about him. In the late 1950s, my father was one of his students at F… - Sarah Ladipo Manyika

I think that every relationship has its complications, and in the case of Tayo and Vanessa, they had to contend with the added family and societal pressures of being an interracial couple at a time of pervasive colonial attitudes. In the 1960s, there was a great deal of societal resistance to interracial relationships, attitudes that arguably still persist to this day whether in the UK, America, or elsewhere. If I’d written a novel without complications, I also suspect that your neighbor’s daughter would have exercised her spirit of independence and found a different book to immerse herself in.

Madness. Old age is a massacre. No place for sissies. No place for love songs. No place for dreaming. No place for dreaming erotic dreams

I never thought about the confluence of the two books in the way you’ve described it. I love it! This is part of the beauty of writing, being surprised by what others see. Yes, Tayo and Morayo would certainly have a lot to talk about–their relationship might even go further than a platonic one. Who knows! There are certainly thematic similarities between the books, especially around the notion of independence and interdependence. I also see a chronological continuation between both novels. I left Tayo and Vanessa at the end of In Dependence in their sixties and with Like a Mule Bringing Ice Cream to the Sun I moved to a character in her seventies. It would follow, therefore that my next book might feature a character in her eighties and perhaps some younger characters too. Which, coincidentally, at least thus far…is the way book three is looking.