Try QuoteGPT
Chat naturally about what you need. Each answer links back to real quotes with citations.
" "That the phrase actually originated in the Hispana is obvious for a simple reason: only in that collection do we find a textual corruption of the acts of the Council of Chalcedon at which one of the bishops modestly said that God imperatorem erexit ad zelum [i.e. fidei]. In other words, a scribe copying the canons of Chalcedon misread the text and changed ad zelum into ad celum; and this erroneous reading must have reached, perhaps through the channels of Pseudo-Isidorus, the Norman Anonymous for whom even that great forgery in favor of the hierarchy could turn into grist brought to his royalist mill. This reading is merely an error, though an error remarkable by itself, since it shows how easily any extravagant exaltation of the imperial power could flow from the pen of a scribe in those centuries.
Ernst Hartwig Kantorowicz (May 3, 1895 – September 9, 1963) was a Jewish German historian of medieval political and intellectual history and art, known for his 1927 book Kaiser Friedrich der Zweite on Holy Roman Emperor Frederick II, and The King's Two Bodies (1957) on medieval and early modern ideologies of monarchy and the state. He was an elected member of both the American Philosophical Society and the American Academy of Arts and Sciences.
Chat naturally about what you need. Each answer links back to real quotes with citations.
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
In late antique art, we often find the halo bestowed on such figures as might impersonate a supra-individual idea or general notion. This special mark of distinction indicated that the figure was meant to represent in every respect a continuum, something permanent and sempiternal beyond the contingencies of time and corruption.
Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.
A hundred years or more of Christ-centered monastic piety have affected also the image of rulership. In fact, the unique Reichenau miniature is the most powerful pictorial display of what may be called "liturgical kingship" — a kingship centered in the God-man rather than in God the Father. As a result, the Reichenau artist ventured to transfer the Ottonian emperor also the God-man's "two natures in one person.