Dreams, memories, the sacred — they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, th… - Yukio Mishima

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Dreams, memories, the sacred — they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, the object is sanctified; it acquires the beauty of the unattainable, the quality of the miraculous. Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.

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About Yukio Mishima

Yukio Mishima (January 14, 1925 – November 25, 1970) was the pen name of Kimitake Hiraoka, a Japanese author, poet, playwright, actor, model, film director, nationalist, and founder of the Tatenokai.

Biography information from Wikiquote

Also Known As

Pen Names: 榊山保 三島由紀夫
Native Name: 三島 由紀夫 平岡 公威
Alternative Names: Mishima Yukio Kimitake Hiraoka Hiraoka Kimitake

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Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.

Additional quotes by Yukio Mishima

The blossoms seem unusually lovely this year. There were none of the scarlet-and-white-striped curtains that are set up among the blossoming trees so invariably that one has to come to think of them as the attire of cherry blossoms; there were no bustling tea-stalls, no holiday crowds of flower-viewers, no one hawking balloons and toy windmills; instead there were only the cherry trees blossoming undisturbed among the evergreens, making one feel as though he were seeing the naked bodies of the blossoms. Nature's free bounty and useless extravagance had never appeared so fantastically beautiful as it did this spring. I had an uncomfortable suspicion that Nature had come to reconquer the earth for herself.

When a boy… discovers that he is more given into introspection and consciousness of self than other boys his age, he easily falls into the error of believing it is because he is more mature than they. This was certainly a mistake in my case. Rather, it was because the other boys had no such need of understanding themselves as I had: they could be their natural selves, whereas I was to play a part, a fact that would require considerable understanding and study. So it was not my maturity but my sense of uneasiness, my uncertainty that was forcing me to gain control over my consciousness. Because such consciousness was simply a steppingstone to aberration and my present thinking was nothing but uncertain and haphazard guesswork.

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I finally decided it was about time to put an end to the business and led a wild flight into the house. The female soldiers came running after me, giving a continuous fusillade of bang-bang-bang's. I clutched at my heart and collapsed limply in the center of the parlor. "What's the matter, Kochan?" they asked, approaching with worried faces."I'm being dead on the battlefield," I replied, neither opening my eyes nor moving my hand.I was enraptured with the vision of my own form lying there, twisted and fallen.There was an unspeakable delight in having been shot and being on the point of death. It seemed to me that since it was I, even if actually struck by a bullet,there would surely be no pain.

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