Statues but known from shapes of the earth, By being too lovely for mortal birth; Paintings whose colours of life were caught From the fairy tints in… - Letitia Elizabeth Landon

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Statues but known from shapes of the earth,
By being too lovely for mortal birth;
Paintings whose colours of life were caught
From the fairy tints in the rainbow wrought;
Music whose sighs had a spell like those
That float on the sea at the evening's close
Language so silvery, that every word
Was like the lute's awakening chord;

English
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About Letitia Elizabeth Landon

Letitia Elizabeth Landon (August 14, 1802 – October 15, 1838) was an English poet and novelist, better known by her initials L. E. L. She was one of the richest sources of epigrams in the early nineteenth century and one reviewer compared her to Rochefoucauld. Sometimes she adopts an adversarial role, giving contradictory viewpoints. Some of her thoughts recur, either developed or refined, but over time she also threw out differing opinions on some subjects; changeability, she argues, is one of our principal traits and, as she has one character remark, truth is like the philosopher's stone, a thing not to be discovered.

Also Known As

Pen Names: L.E.L. Iole
Native Name: Letitia Landon
Alternative Names: L. E. L. Letitia Maclean Letitia Elizabeth Maclean Landon

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Additional quotes by Letitia Elizabeth Landon

... what could have brought him to Dalton. There were no chalybeate-springs, warranted to cure every disease under the sun; no ruins in the neighbourhood, left expressly for antiquarians and pic-nic parties; no fine prospects, which, like music, people make it matter of conscience to admire; no celebrated person had ever been born or buried in its environs; there were no races, no assizes—in short, there was “no nothing."

Mrs. Burgoyne passed the last twenty years of her life in a large, solemn-looking house at Kensington ; it is now a mad-house. How curiously do these changes in dwelling places, once cheerful and familiar, bring the mutability of our existence home ! It would be an eventful chronicle, the history of even a few of the old-fashioned houses in the vicinity of London. You ascended a flight of steps, with a balustrade and two indescribable birds on either side, and a large hall, which, strange to say, was more cheerful in winter than in summer. In summer the narrow windows, the black wood with which it was panelled, seemed heavy and dull ; but in winter the huge fire gave its own gladness, and had besides the association with old English hospitality which a blazing grate always brings. You passed next through two long drawing-rooms, whose white wainscoting was almost covered with family portraits. There cannot be much said for the taste of Queen Anne's time downwards — bagged, wigged, and hooped ; there was not a picture of which the African's question might not have been asked, "Pray tell me, white woman, if this is all you?”

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