I am, indeed, an absolute materialist so far as actual belief goes; with not a shred of credence in any form of supernaturalism — religion, spiritual… - H. P. Lovecraft

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I am, indeed, an absolute materialist so far as actual belief goes; with not a shred of credence in any form of supernaturalism — religion, spiritualism, transcendentalism, metempsychosis, or immortality.

English
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About H. P. Lovecraft

Howard Phillips Lovecraft (20 August 1890 – 15 March 1937) was an American author of fantasy, horror, and science fiction, known for combining these three genres within single narratives and best remembered for the creation of the Cthulhu Mythos. He is considered, along with Edgar Allan Poe, to be one of the greatest Horror writers.

Biography information from Wikiquote

Also Known As

Native Name: Howard Phillips Lovecraft
Alternative Names: Howard P. Lovecraft HPL E'ch-Pi-El Grandpa Theobald Ward Phillips Lovecraft
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Additional quotes by H. P. Lovecraft

The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.

One can't write a weird story of real power without perfect psychological detachment from the human scene, and a magic prism of imagination which suffuses them and style alike with that grotesquerie and disquieting distortion characteristic of morbid vision. Only a cynic can create horror—for behind every masterpiece of the sort must reside a driving daemonic force that despises the human race and its illusions, and longs to pull them to pieces and mock them.

The literature of today, with its conscientious striving toward sincerity, must necessarily contain large amounts of matter repugnant to those who hold the hypocritical nineteenth-century view of the world. It need not be vulgarly presented, but it cannot be excluded if art is to express life. That censors actually do seek to remove this legitimate and essential matter, and that they would if given greater power do even greater harm, is plainly shewn by the futile action against “Jurgen”, and the present ban on “Ulysses”, both significant contributions to contemporary art. And, ironically enough, this same censorship blandly tolerates, through legal technicalities, infinite sewers full of frankly and frivolously nasty drivel without the least pretence of aesthetic or intellectual significance.

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