Since the white man says he came from the evolution of animals, well, maybe the black man didn't. The white man has made so many errors in the handli… - Charles Mingus

Each jazz musician when he takes a horn in his hand — trumpet, bass, saxophone, drums — whatever instrument he plays — each soloist, that is, when he begins to ad lib on a given composition with a title and improvise a new creative melody, this man is taking the place of a composer.

That sound in tune to you? ... Sounds sharp to me. Sounds like I'm playing sharp all the time. My singing teacher told us you should do that. Maybe I got it from her. She said singers when they grow old have a tendency to go flat. So if you sing sharp as a young person, as you get older and go flat, you'll be in tune. In other words, it's never thought good to be flat. It means you can't get to the tone.

It seems so hard for some of us to grow up mentally just enough to realize that there are other persons of flesh and bone, just like us, on this great, big earth. And if they don't ever stand still, move, or "swing," they are as right as we are, even if they are as wrong as hell by our standards. Yes, Miles, I am apologizing for my stupid "Blindfold Test." I can do it gladly because I'm learning a little something. No matter how much they try to say that Brubeck doesn't swing — or whatever else they're stewing or whoever else they're brewing — it's factually unimportant.
Not because Dave made Time magazine — and a dollar — but mainly because Dave honestly thinks he's swinging. He feels a certain pulse and plays a certain pulse which gives him pleasure and a sense of exaltation because he's sincerely doing something the way he, Dave Brubeck, feels like doing it. And as you said in your story, Miles, "if a guy makes you pat your foot, and if you feel it down your back, etc.," then Dave is the swingingest by your own definition, Miles, because at Newport and elsewhere Dave had the whole house patting its feet and even clapping its hands....