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" "In Tod’s description, the ‘Marusthali’, as it was then called, consists of ‘expansive belts of sand, elevated upon a plain only less sandy, and over whose surface numerous thinly peopled towns and hamlets are scattered’. He also records ‘the tradition of the absorption of the Caggar river, as one of the causes of the comparative depopulation of the northern desert’. This tradition was transmitted in the form of a ‘couplet still sung among Rajputs, which dates the ruin of this part of the country back to the drying up of the Hakra.’ Although Tod could not recall the exact text of the said song, he acknowledged ‘the utility of these ancient traditional couplets’. ‘Folk history’, as we would call it today... Yet, James Tod finds worthy of mention a tradition alive in the 1810s that blames the region’s ‘depopulation’ on the Ghaggar’s ‘absorption’ or disappearance; he even notes how ‘the vestiges of large towns, now buried in the sands, confirm the truth of this tradition, and several of them claim a high antiquity.
Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an English-born officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.
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The affinity that this word (Hakra) has botli to the Ghaggar, and Sankra,” would lead to the conclusion of either being the stream referred to. The former we know as being engulphed in the sands about the Hariana confines, while the Sankra is a stream which, though now dry, was used as a line of demarcation even in the time of Nadir Shah. It ran eastward, parallel with the Indus, and by making it his boundary Nadir added all the fertile valley of the Indus to his Persian kingdom.
SIDPOOR – JUNE 20th – In the infancy of our geography of India, the illustrious D’ Anville said of this city, “ville qui tire son nom des Shites, ou toiles peintes, qui s’y fabriquent;” but it boasts of a more dignified etymology, being called after its patron, the Balhara prince, Sid-Rae. By some he is supposed to be the founder, but there is every reason to believe that he was only the renovator, of this place, the position of which on the Sarasvati, flowing from the shrine of Ambabhavani, is well-chosen. Here are the remains of what in past ages must have been one of the grandest efforts of Hindu architecture, a temple dedicated to Siva, and termed Roodra-Mala, or ‘the chaplet of Roodra,’ the god of battle; but so disjointed are the fragments, that it is difficult to imagine what it may have been as a whole. They are chiefly portions of porticoes, one of which tradition names the prostyle of the munduff, or vaulted mansion occupied by the bull, companion of Roodra, whose sanctum was converted into a mosque. It is said to have been a rectangular building, five stories in height, and if we may judge from one portion yet remaining, this could not have been less than one hundred feet…I found two inscriptions, from one of which I learned that it was commenced by Raja Moolraj [the founder of the Solankhi dynasty of Anhilwara], in S. 998 [A.D. 942], and from the other that it was finished by Sid-Raj…A couplet records its destruction by All-u-din – “In S. 1353 [A.D. 1297], came the barbarian Alla: the Roodra-Mala he levelled, “carrying destruction amongst the lords of men.”
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Britain has become heir to the monuments of Indraprastha raised by the descendants of Budha and Ila; to the iron pillar of the Pandavas, "whose pedestal is fixed in hell"; to the columns reared to victory, inscribed with characters yet unknown; to the massive ruins of its ancient continuous cities, encompassing a space still larger than the largest city in the world, whose mouldering domes and sites of fortresses, the very names of which are lost, present a noble field for speculation on the ephemeral nature of power and glory. What monument would Britain bequeath to distant posterity of her succession to this dominion? Not one: except it be that of a still less perishable nature, the monument of national benefit. Much is in our power: much has been given, and posterity will demand the result.