Perhaps the least inadequate description of the general scope of modern Pure Mathematics—I will not call it a definition—would be to say that it deal… - Ernest William Hobson

Who has studied the works of such men as Euler, Lagrange, Cauchy, Riemann, , and Weierstrass, can doubt that a great mathematician is a great artist? The faculties possessed by such men, varying greatly in kind and degree with the individual, are analogous with those requisite for constructive art. Not every mathematician possesses in a specially high degree that critical faculty which finds its employment in the perfection of form, in conformity with the ideal of logical completeness; but every great mathematician possesses the rarer faculty of constructive imagination.

In the third period, which lasted from the middle of the eighteenth century until late in the nineteenth century, attention was turned to critical investigations of the true nature of the number π itself, considered independently of mere analytical representations. The number was first studied in respect of its rationality or irrationality, and it was shown to be really irrational. When the discovery was made of the fundamental distinction between algebraic and transcendental numbers, i.e. between those numbers which can be, and those numbers which cannot be, roots of an algebraical equation with rational coefficients, the question arose to which of these categories the number π belongs. It was finally established by a method which involved the use of some of the most modern of analytical investigation that the number π was transcendental. When this result was combined with the results of a critical investigation of the possibilities of a Euclidean determination, the inferences could be made that the number π, being transcendental, does not admit of a construction either by a Euclidean determination, or even by a determination in which the use of other algebraic curves besides the straight line and the circle are permitted. The answer to the original question thus obtained is of a conclusive negative character; but it is one in which a clear account is given of the fundamental reasons upon which that negative answer rests.

The objects of abstract Geometry possess in absolute precision properties which are only approximately realized in the corresponding objects of physical Geometry.