A loose end - that's what we woman call it, when we are overwhelmed by the care of small children, the weight of small tasks, a life in which we fall… - Anna Quindlen

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A loose end - that's what we woman call it, when we are overwhelmed by the care of small children, the weight of small tasks, a life in which we fall into bed at the end of the day exhausted from being all things to all people.

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About Anna Quindlen

Anna Quindlen (born July 8, 1952) is an American journalist and opinion columnist whose New York Times column, Public and Private, won the Pulitzer Prize for Commentary in 1992.

Also Known As

Alternative Names: Anna Marie Quindlen
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Additional quotes by Anna Quindlen

The lightning bugs are back. They fly low to the ground as the lawn dissolves from green to black in the dusk. Seeing them, I can reconstruct a childhood: a hot night under tall trees; the Good Humor man, in his square white truck, the freezer smoky when he reaches inside for an ice cream.

The lightning bugs trapped in empty jars with holes on top. "Let them out," our mother said, "or they will die in there." We were careless. We always
forgot to open the jars. The bugs would be there in the morning, their yellow tails dim in the white light of the summer sun, pathetic as they lay on
their backs. We were always horrified by what we had done. As night fell we shook them out and caught more.

I relive the magic of the yellow light without the bright white of hindsight. The little flares in the darkness, a distillation of the kind of life we think we had, we wish we had, we want again.

The thing about old friends is not that they love you, but that they know you. They remember that disastrous New Year's Eve when you mixed White Russians and champagne, and how you wore that red maternity dress until everyone was sick of seeing the blaze of it in the office, and the uncomfortable couch in your first apartment and the smoky stove in your beach rental. They look at you and don't really think you look older because they've grown old along with you, and, like the faded paint in a beloved room, they're used to the look. And then one of them is gone, and you've lost a chunk of yourself. The stories of the terrorist attacks of 2001, the tsunami, the Japanese earthquake always used numbers, the deaths of thousands a measure of how great the disaster. Catastrophe is numerical. Loss is singular, one beloved at a time.

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