What Charlize Theron achieves in Patty Jenkins' Monster isn't a performance but an embodiment. With courage, art and charity, she empathizes with Ail… - Roger Ebert

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What Charlize Theron achieves in Patty Jenkins' Monster isn't a performance but an embodiment. With courage, art and charity, she empathizes with Aileen Wuornos, a damaged woman who committed seven murders. She does not excuse the murders. She simply asks that we witness the woman's final desperate attempt to be a better person than her fate intended.

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About Roger Ebert

Roger Joseph Ebert (18 June 1942 – 4 April 2013) was an American film critic, film historian, journalist, essayist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. He was the first film critic to win a Pulitzer Prize for Criticism.

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Also Known As

Pen Names: Reinhold Timme R. Hyde
Alternative Names: Roger Joseph Ebert
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Additional quotes by Roger Ebert

This movie doesn't scrape the bottom of the barrel. This movie isn't the bottom of the barrel. This movie isn't below the bottom of the barrel. This movie doesn't deserve to be mentioned in the same sentence with barrels... The day may come when "Freddy Got Fingered" is seen as a milestone of neo-surrealism. The day may never come when it is seen as funny.

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Going to see Godzilla at the Palais of the Cannes Film Festival is like attending a satanic ritual in St. Peter's Basilica. It's a rebuke to the faith that the building represents. Cannes touchingly adheres to a belief that film can be intelligent, moving and grand. Godzilla is a big, ugly, ungainly device to give teenagers the impression they are seeing a movie. It was the festival's closing film, coming at the end like the horses in a parade, perhaps for the same reason.

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