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" "It is real learning, knowledge cultivated for its own sake — the Art of Knowledge, in short — which is followed there, not the Commercial learning of the past. Though perhaps you do not know that in the nineteenth century Oxford and its less interesting sister Cambridge became definitely commercial. They (and especially Oxford) were the breeding places of a peculiar class of parasites, who called themselves cultivated people; they were indeed cynical enough, as the so-called educated classes of the day generally were; but they affected an exaggeration of cynicism in order that they might be thought knowing and worldly-wise. The rich middle classes (they had no relation with the working classes) treated them with the kind of contemptuous toleration with which a mediaeval baron treated his jester; though it must be said that they were by no means so pleasant as the old jesters were, being, in fact, THE bores of society. They were laughed at, despised — and paid. Which last was what they aimed at.
William Morris (24 March 1834 – 3 October 1896) was a British textile designer, poet, novelist, translator, and socialist activist associated with the British Arts and Crafts Movement.
Biography information from Wikiquote
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Then listen! when this day is overpast, A fearful monster shall I be again, And thou mayst be my saviour at the last, Unless, once more, thy words are nought and vain. If thou of love and sovereignty art fain, Come thou next morn, and when thou seest here A hideous dragon, have thereof no fear, But take the loathsome head up in thine hands And kiss it, and be master presently Of twice the wealth that is in all the lands From Cathay to the head of Italy; And master also, if it pleaseth thee, Of all thou praisest as so fresh and bright, Of what thou callest crown of all delight. Ah! with what joy then shall I see again The sunlight on the green grass and the trees, And hear the clatter of the summer rain, And see the joyous folk beyond the seas. Ah, me! to hold my child upon my knees After the weeping of unkindly tears And all the wrongs of these four hundred years. Go now, go quick! leave this grey heap of stone; And from thy glad heart think upon thy way, How I shall love thee — yea, love thee alone, That bringest me from dark death unto day; For this shall be thy wages and thy pay; Unheard-of wealth, unheard-of love is near, If thou hast heart a little dread to bear.
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Man alive! how can you ask such a question? Have I not told you that we know what a prison means by the undoubted evidence of really trustworthy books, helped out by our own imaginations? And haven't you specially called me to notice that the people about the roads and streets look happy? and how could they look happy if they knew that their neighbours were shut up in prison, while they bore such things quietly? And if there were people in prison, you couldn't hide it from folk, like you can an occasional man-slaying; because that isn't done of set purpose, with a lot of people backing up the slayer in cold blood, as this prison business is. Prisons, indeed! O no, no, no!