The zealots also attack me by false analogy, comparing my book to pornography and demanding a ban on both. Many Islamic spokesmen have compared my wo… - Salman Rushdie

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The zealots also attack me by false analogy, comparing my book to pornography and demanding a ban on both. Many Islamic spokesmen have compared my work to anti-Semitism. But intellectual dissent is neither pornographic nor racist. I have tried to give a secular, humanist vision of the birth of a great world religion. For this, apparently, I should be tried under the Race Relations Act, or if not that perhaps the Public Order Act. Any old act will do. The justification is that I have "given offense." But the giving of offense cannot be a basis for censorship, or freedom of expression would perish instantly. And many of us who were revolted by the Bradford flames will feel that the offense done to our principles is at least as great as any offense caused to those who burned my book.

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About Salman Rushdie

Sir Salman Rushdie (born Ahmed Salman Rushdie, Urdu: أحمد سلمان رشدی, Hindi: अह्मद सलमान रश्डी on 19 June 1947) is an Indian-born British novelist and essayist. Most of his work is set on the Indian subcontinent.

Biography information from Wikiquote

Also Known As

Native Name: سلمان رشدی
Alternative Names: Sir Ahmed Salman Rushdie Rushdie Ahmed Salman Rushdie Joseph Anton
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Additional quotes by Salman Rushdie

It is clear that India has not behaved at all well in Kashmir; that the Indian military forces seem like, feel like and behave like an occupying army; that there are too many accusations of violence, rape, and murder for it all to be made up; and the Pakistani side has constantly exacerbated the situation by the use of jihadist groups, and by the funding of groups like Lashkar-e-Taiba, Jaish-e-Muhammad and so on.

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All migrants leave their pasts behind, although some try to pack it into bundles and boxes-but on the journey something seeps out of the treasured mementoes and old photographs, until even their owners fail to recognize them, because it is the fate of migrants to be stripped of history, to stand naked amidst the scorn of strangers upon whom they see rich clothing, the brocades of continuity and the eyebrows of belonging..

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