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" "I am ready and willing to testify before the representatives of our Government as to my own opinions and my own actions, regardless of any risks or consequences to myself. But I am advised by counsel that if I answer the committee’s questions about myself, I must also answer questions about other people and that if I refuse to do so, I can be cited for contempt. My counsel tells me that if I answer questions about myself, I will have waived my rights under the fifth amendment and could be forced legally to answer questions about others. This is very difficult for a layman to understand. But there is one principle that I do understand: I am not willing, now or in the future, to bring bad trouble to people who, in my past association with them, were completely innocent of any talk or any action that was disloyal or subversive. I do not like subversion or disloyalty in any form and if I had ever seen any I would have considered it my duty to have reported it to the proper authorities. But to hurt innocent people whom I knew many years ago in order to save myself is, to me, inhuman and indecent and dishonorable. I cannot and will not cut my conscience to fit this year’s fashions, even though I long ago came to the conclusion that I was not a political person and could have no comfortable place in any political group.
Lillian Florence Hellman (20 June 1905 – 30 June 1984) was an American playwright.
Biography information from Wikiquote
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"Old paint on canvas, as it ages, sometimes becomes transparent. When that happens it is possible, in some pictures, to see the original lines: a tree will how through a woman's dress, a child makes way for a dog, a large boat is no longer on an open sea. That is called pentimento because the painter "repented," changed his mind. Perhaps it would be as well to say that the old conception, replaced by a later choice, is a way of seeing and then seeing again.
That is all I mean about the people in this book. The paint has aged now and I wanted to see what was there for me once, what is there for me now."
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I think I meant an intimation of sadness, a first recognition that there was so much to understand that one might never find one's way and the first signs, perhaps, that for a nature like mine, the way would not be easy. I cannot be sure that I felt all that then, although I can be sure that it was in the fig tree, a few years later, that I was first puzzled by the conflict which would haunt me, harm me, and benefit me the rest of my life: simply, the stubborn, relentless, driving desire to be alone as it came into conflict with the desire not to be alone when I wanted not to be.