Collectively, the more civilized men are, the more they are actors. They assume the appearance of attachment, of esteem for others, of modesty, and o… - Immanuel Kant
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Collectively, the more civilized men are, the more they are actors. They assume the appearance of attachment, of esteem for others, of modesty, and of disinterestedness, without ever deceiving anyone, because everyone understands that nothing sincere is meant. Persons are familiar with this, and it is even a good thing that this is so in this world, for when men play these roles, virtues are gradually established, whose appearance had up until now only been affected. These virtues ultimately will become part of the actor's disposition. To deceive the deceiver in ourselves, or the tendency to deceive, is a fresh return to obedience[.]
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Immanuel Kant
Immanuel Kant (22 April 1724 – 12 February 1804), born Emanuel Kant, was a German philosopher.
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[To think for oneself] is the maxim of a reason never passive. The tendency to such passivity, and therefore to heteronomy of reason, is called prejudice; and the greatest prejudice of all is to represent nature as not subject to the rules that the understanding places at its basis by means of its own essential law, i.e. is superstition. Deliverance from superstition is called enlightenment; because although this name belongs to deliverance from prejudices in general, yet superstition especially (in sensu eminenti) deserves to be called a prejudice. For the blindness in which superstition places us, which it even imposes on us as an obligation, makes the need of being guided by others, and the consequent passive state of our reason, peculiarly noticeable.
Finer feeling, which we now wish to consider, is chiefly of two kinds: the feeling of the *sublime* and that of the *beautiful*. The stirring of each is pleasant, but in different ways. The sight of a mountain whose snow-covered peak rises above the clouds, the description of a raging storm, or Milton's portrayal of the infernal kingdom, arouse enjoyment but with horror; on the other hand, the sight of flower strewn meadows, valleys with winding brooks and covered with grazing flocks, the description of Elysium, or Homer's portrayal of the girdle of Venus, also occasion a pleasant sensation but one that is joyous and smiling. In order that the former impression could occur to us in due strength, we must have *a feeling of the sublime*, and, in order to enjoy the latter well, *a feeling of the beautiful*. Tall oaks and lonely shadows in a sacred grove are sublime; flower beds, low hedges and trees trimmed in figures are beautiful. Night is sublime; day is beautiful. Temperaments that possess a feeling for the sublime are drawn gradually, by the quiet stillness of a summer evening as the shimmering light of the stars breaks through the brown shadows of night and the lonely moon rises into view, into high feelings of friendship, of disdain for the world, of eternity. The shining day stimulates busy fervor and a feeling of gaiety. The sublime *moves*, the beautiful *charms*.
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The more one presupposes that his own power will suffice him to realize what he desires the more practical is that desire. When I treat a man contemptuously, I can inspire him with no practical desire to appreciate my grounds of truth. When I treat any one as worthless, I can inspire him with no desire to do right.