Almost all good writing begins with terrible first efforts. You need to start somewhere.

Great creators start with great taste.

if the hacker is a creator, we have to take inspiration into account.

Musicians, actors, athletes, philosophers, scientists, writers understand that brilliant creations are often born of small errors.

Creator Gods, if you made that, you must've had something in mind. But what?

Just as no monkey is as good-looking as the ugliest of humans, no academic is worthier than the worst of the creators

To give up before we even start, using low self-esteem or lack of qualifications as an excuse, is, frankly, gutless. As human beings we are all born with not only the wherewithal to be creative, but also the need.

It is enough to have been created, to have embodied for a moment the infinite and tumultuously creative spirit. It is infinitely more than enough to have been used, to have been the rough sketch for some perfected creation.

Suspend all judgment when creating the first draft.
Just get to the end.
It’s better to create something bad than nothing at all.
You can improve something bad.
You can’t improve nothing.

When working with existing “franchises,” any good writer will return to the source material from time to time, to see if s/he can divine from that work something that might have been missed before. This is true whether the work is good, bad, or indifferent. The best place to start, however, no matter what the context, is not by saying “the creator didn’t get it right.” That’s the worst kind of hubris. I have been pilloried for my work on Superman, Spider-Man, Doom Patrol, and in the early days even FF and X-Men, yet I have never once said the creators of those series/characters “didn’t get it right.” It disgusts me not only to read Gaiman saying this—about Jack Kirby of all people!—but to see the cartwheels people are willing to turn in order to make his words seem other than what they are. Apparently, dissing one of the greatest talents this industry has produced is okay, as long as you’re on the Approved List. Next, how Eisner screwed up the Spirit, and Lee and Ditko on Spider-Man—what the heck were they thinking?? Maybe you should keep in mind, then, that the only person who knows if a creator “got it right” is the creator himself. Unless Kirby told Gaiman he felt he didn’t “get it right” on The Eternals, it’s pretty f***ing arrogant of Gaiman to make such a statement. “Kirby didn’t get it right, and I probably won’t either” sound like it should read “I don’t want to do this series.” (2006)

Everything starts somewhere, though many physicists disagree. But people have always been dimly aware of the problem with the start of things. They wonder how the snowplough driver gets to work, or how the makers of dictionaries look up the spelling of words.

Everything begins with an idea.

An energetic crudity, even a riotous absurdity, has more promise in it than a clever and elegant mediocrity, because it shows that the young man is speaking out of his own heart, and struggling to express himself in his own way rather than in the way he finds in other men's books. The early works of original writers are usually very bad; then succeeds a short interval of imitation in which the influence of some favourite author is distinctly traceable; but this does not last long, the native independence of the mind reasserts itself, and although perhaps academic and critical demands are somewhat disregarded, so that the original writer on account of his very originality receives but slight recognition from the authorities, nevertheless if there is any real power in the voice it soon makes itself felt in the world.

An essential aspect of creativity is not being afraid to fail. Scientists made a great invention by calling their activities hypotheses and experiments. They made it permissible to fail repeatedly until in the end they got the results they wanted. In politics or government, if you made a hypothesis and it didn't work out, you had your head cut off.