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" "Why have our standards fallen so low? Why do we have all these ugly things which nobody needs? Industrial manufacture and new materials have led to truly unlimited possibilities of forms. There are no longer any natural constraints which depend on materials such as wood and stone. We simply manufacture everything that is technically possible and lack new structures on which to base our decisions.
Anselm Kiefer (born March 8, 1945) is a German painter and sculptor. He studied with Joseph Beuys during the 1970s. His works incorporate materials like straw, ash, clay, lead and shellac. His body of work argues with the past and addresses taboo and controversial issues from recent history, such as themes from Nazi rule.
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Perspective and Impressionism were tentative attempts to deal with the world of appearance because of a fear to look inside. Cubism is structure and order. Now both epidermis and order are no longer possible.. ..The accidental aspects of Impressionist composition are to be understood as a reaction. And the reaction of Cézanne is to be seen as a response to Impressionism. One cannot simply disregard Impressionism. As a dialectic antithesis it was important. The Impressionists had the idea of dissolution; they wanted to represent light, not bodies and not shadows, but light for itself. Frequently I find this tedious, but there is an idea behind it: Atomization is a modern idea..
There is a reciprocal action between the work of art and the viewer. The river changes the work of art and criticism can also change the artist.. .There are so many ideas afloat; any of them could have triggered the work of art. It is impossible to determine exactly if the idea has been transmitted by the critic, or if the work itself has determined its outcome..
Kandinsky was connected with Die Brücke and the Blue Rider: they had a concept and created a reality. But I prefer Jean Fautrier [French painter-artist; 1898 - 1965] with his suffering and self-absorption. And his purpose on bringing about changes was just as strong. As a result I see in Fautrier a stronger paradigm than in Kandinsky..