"Going Gone Over stone walls and barns, miles from the black-eyed Susans, over circus tents and moon rockets you are going, going. You who have inha… - Anne Sexton

"Going Gone

Over stone walls and barns,
miles from the black-eyed Susans,
over circus tents and moon rockets
you are going, going.
You who have inhabited me
in the deepest and most broken place,
are going, going.
An old woman calls up to you
from her deathbed deep in sores,
asking, "What do you keep of her?"
She is the crone in the fables.
She is the fool at the supper
and you, sir, are the traveler.
Although you are in a hurry
you stop to open a small basket
and under layers of petticoats
you show her the tiger-striped eyes
that you have lately plucked,
you show her specialty, the lips,
those two small bundles,
you show her the two hands
that grip her fiercely,
one being mine, one being yours.
Torn right off at the wrist bone
when you started in your
impossible going, gone.
Then you place the basket
in the old woman's hollow lap
and as a last act she fondles
these artifacts like a child's head
and murmurs, "Precious. Precious."
And you are glad you have given
them to this one for she too
is making a trip."

English
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About Anne Sexton

Anne Sexton (November 9, 1928 - October 4, 1974), born Anne Gray Harvey, was an American poet and writer. She won the Pulitzer Prize in poetry in 1967 for Live or Die.

Biography information from Wikiquote

Also Known As

Alternative Names: Anne Gray Harvey
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Shorter versions of this quote

You who have inhabited me
in the deepest and most broken place,
are going, going

Additional quotes by Anne Sexton

Poetry is my life, my postmark, my hands, my kitchen, my face.

At night the bats will beat on the trees, knowing it all, seeing what they sensed all day....

THE FORTRESS

Under the pink quilted covers
I hold the pulse that counts your blood.
I think the woods outdoors
are half asleep,
left over from summer
like a stack of books after a flood,
left over like those promises I never keep.
On the right, the scrub pine tree
waits like a fruit store
holding up bunches of tufted broccoli.

We watch the wind from our square bed.
I press down my index finger — half in jest, half in dread — on the brown mole
under your left eye, inherited
from my right cheek: a spot of danger
where a bewitched worm ate its way through our soul
in search of beauty. My child, since July
the leaves have been fed
secretly from a pool of beet-red dye.

And sometimes they are battle green
with trunks as wet as hunters' boots,
smacked hard by the wind, clean
as oilskins. No,
the wind's not off the ocean.
Yes, it cried in your room like a wolf
and your pony tail hurt you. That was a long time ago.
The wind rolled the tide like a dying
woman. She wouldn't sleep,
she rolled there all night, grunting and sighing.

Darling, life is not in my hands;
life with its terrible changes
will take you, bombs or glands,
your own child at
your breast, your own house on your own land.
Outside the bittersweet turns orange.
Before she died, my mother and I picked those fat
branches, finding orange nipples
on the gray wire strands.
We weeded the forest, curing trees like cripples.

Your feet thump-thump against my back
and you whisper to yourself. Child,
what are you wishing? What pact
are you making?
What mouse runs between your eyes? What ark
can I fill for you when the world goes wild?
The woods are underwater, their weeds are shaking
in the tide; birches like zebra fish
flash by in a pack.
Child, I cannot promise that you will get your wish.

I cannot promise very much.
I give you the images I know.
Lie still with me and watch.
A pheasant moves
by like a seal, pulled through the mulch
by his thick white collar. He's on show
like a clown. He drags a beige feather that h

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