American poet and writer (1932–1963)
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"It's a tango." Marco maneuvered me out among the dancers. "I love tangos." "I can't dance." "You don't have to dance. I'll do that dancing." Marco hooked an arm around my waist and jerked me up against his dazzling white suit. Then he said, "Pretend you are drowning." I shut my eyes, and the music broke over me like a rainstorm. Marco's leg slid forward against mine and my leg slid back and I seemed to be riveted against him, limb for limb, moving as he moved, without any will or knowledge of my own, and after a while I thought, "It doesn't take two to dance, it only takes one," and I let myself blow and bend like a tree in the wind. "What did I tell you?" Marco's breath scorched my ear. "You're a perfectly respectable dancer."
You said you would kill it this morning.
Do not kill it. It startles me still,
The jut of that odd, dark head, pacing Through the uncut grass on the elm's hill.
It is something to own a pheasant,
Or just to be visited at all. I am not mystical: it isn't
As if I thought it had a spirit.
It is simply in its element. That gives it a kingliness, a right.
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"I am afraid of getting older. I am afraid of getting married. Spare me from cooking three meals a day — spare me from the relentless cage of routine and rote. I want to be free. (...) I want, I think, to be omniscient… I think I would like to call myself "The girl who wanted to be God." Yet if I were not in this body, where would I be — perhaps I am destined to be classified and qualified. But, oh, I cry out against it. I am I — I am powerful — but to what extent? I am I."