"Needless to say, this fragile experiment began by taking for granted the ugly conquest of Amerindians and Mexicans, the exclusion of women, the subo… - Cornel West

"Needless to say, this fragile experiment began by taking for granted the ugly conquest of Amerindians and Mexicans, the exclusion of women, the subordination of European working-class men and the closeting of homosexuals. These realities made many of the words of the revolutionary Declaration of Independence ring a bit hollow. yet the enslavement of Africans — over 20 percent of the population — served as the linchpin of American democracy; that is, the much-heralded stability and continuity of American democracy was predicated upon black oppression and degradation. Without the presence of black people in America, European-Americans would not be "white — they would be only Irish, Italians, Poles, Welsh, and others engaged in class, ethnic, and gender struggles over resources and identity.

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About Cornel West

Cornel Ronald West (born 2 June 1953 in Tulsa, Oklahoma) is an American philosopher, political activist, social critic, author, and public intellectual. The son of a Baptist minister, West focuses on the role of race, gender, and class in American society and the means by which people act and react to their "radical conditionedness." A radical democratic socialist, West draws intellectual contributions from multiple traditions, including Christianity, the black church, Marxism, neopragmatism, and transcendentalism. Among his most influential books are Race Matters (1994) and Democracy Matters (2004). He is currently running a third-party campaign in the 2024 United States presidential election.

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Also Known As

Birth Name: Cornel Ronald West
Alternative Names: Cornel R. West
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Additional quotes by Cornel West

I focus on popular culture because I focus on those areas where black humanity is most powerfully expressed, where black people have been able to articulate their sense of the world in a profound manner. And I see this primarily in popular culture. Why not in highbrow culture? Because the access has been so difficult. Why not in more academic forms? Because academic exclusion has been the rule for so long for large numbers of black people that black culture, for me, becomes a search for where black people have left their imprint and fundamentally made a difference in terms of how certain art forms are understood. This is currently in popular culture. And it has been primarily in music, religion, visual arts and fashion.

You can't really move forward until you look back.

[From Remaking America panel discussion at George Washington University]

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