The power of capitalist realism derives in part from the way that capitalism subsumes and consumes all of previous history: one effect of its 'system… - Mark Fisher

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The power of capitalist realism derives in part from the way that capitalism subsumes and consumes all of previous history: one effect of its 'system of equivalence' which can assign all cultural objects, whether they are religious iconography, pornography or Das Kapital, a monetary value.

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About Mark Fisher

Mark Fisher (11 July 1968 – 13 January 2017), also known as "k-punk", was a British writer, critic, cultural theorist, and teacher based in the Department of Visual Cultures at Goldsmiths, University of London. Fisher published several books, including the unexpected success Capitalist Realism: Is there no alternative? (2009), and contributed to publications such as The Wire, Fact, New Statesman and Sight & Sound. He was also the co-founder of Zero Books, and later Repeater Books. He died in January 2017, shortly before the publication of his latest book The Weird and the Eerie (2017).

Also Known As

Alternative Names: k-punk

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A moral critique of capitalism, emphasizing the ways in which it leads to suffering, only reinforces capitalism realism. Poverty, famine and war can be presented as an inevitable part of reality, while the hope that these forms of suffering could be eliminated easily painted as naive utopianism. Capitalism realism can only be threatened if it is shown to be in some way inconsistent or untenable; if, that is to say, capitalism's ostensible 'realism' turns out to be nothing of the sort.

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The role of capitalist ideology is not to make an explicit case for something in the way that propaganda does, but to conceal the fact that operations of capital do not depend on any sort of subjectively assumed belief. It is impossible to conceive of fascism or Stalinism without - but capitalism can proceed perfectly well, in some ways better, without anyone making a case for it.

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