He told me about his monster. His sounded just like mine without quite so much mascara. When people shine a little light on their monster, we find ou… - Anne Lamott

When people shine a little light on their monster, we find out how similar most of our monsters are.

When I was a child, I thought grown-ups and teachers knew the truth, because they told me they did. It took years for me to discover that the first step in finding out the truth is to begin unlearning almost everything adults had taught me, and to start doing all the things they'd told me NOT to do. Their main pitch was that achievement equaled happiness, when all you had to do was study rock stars, or movie stars, or them, to see that they were mostly miserable. They were all running around in mazes like everyone else.

You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander. We build this place with the sand of memories; these castles are our memories and inventiveness made tangible. So part of us believes that when the tide starts coming in, we won't really have lost anything, because actually only a symbol of it was there in the sand. Another part of us thinks we'll figure out a way to divert the ocean. This is what separates artists from ordinary people: the belief, deep in our hearts, that if we build our castles well enough, somehow the ocean won't wash them away. I think this is a wonderful kind of person to be.

"My favorite moment in Jeanne Moreau's latest movie — a comedy called The Summer House — takes place in a kitchen, when she proclaims that every human has something to cry about. When mocked by the owner of the kitchen and pressed to say what it is that we have to cry about, she tosses back her head of flaming red hair and says, "The winds of solitude roaring at the edge of infinity.