Limited Time Offer
Premium members can get their quote collection automatically imported into their Quotewise collections.
I got a new Ford and learned to drive it – I even painted – and I laughed a great deal – I went every place that I had time for – and I am ready to g… - Georgia O'Keeffe
" "I got a new Ford and learned to drive it – I even painted – and I laughed a great deal – I went every place that I had time for – and I am ready to go back East as long as I have to go sometime – If it were not for the Stieglitz call I would probably never go – but that is strong – so I am on the way ... I hope a little of it stays with me till I see you – It is my old way of life – you wouldn't like it – it would seem impossible to you as it does to Stieglitz, probably – but it is mine – and I like it – I would just go dead if I couldn't have it..
English
Collect this quote
About Georgia O'Keeffe
Georgia Totto O'Keeffe (15 November 1887 – 6 March 1986) was an American modernist painter. She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been called the "Mother of American modernism". O'Keeffe is a major figure in American art. She is chiefly known for paintings in which she synthesizes abstraction and representation in paintings of flowers, rocks, shells, animal bones and landscapes. Her paintings present crisply contoured forms that are replete with subtle tonal transitions of varying colors, and she often transformed her subject matter into powerful abstract images.
Also Known As
Pen Names:
Okeef, Georgia
•
Okeefe, Georgia
•
O'Keeffe, Georgia Totto
•
Stieglitz, Georgia O'Keeffe
Alternative Names:
Mrs. Alfred Stieglitz
•
Georgia O'Keeffe Stieglitz
•
Alfred, Mrs. Stieglitz
•
Georgia Totto O'Keeffe
•
Georgia O' Keeffe
•
Georgia Stieglitz
•
O'Keeffe
•
Georgia O’Keeffe
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Georgia O'Keeffe
After I had been in Canada painting the wide white barns along the Saint Lawrence river, I thought how different the life of the Canadian farmer was from life in Cebolla. So I painted [in 1945] the Cebolla church which is so typical of that difficult life. I have always thought it one of my very good paintings, though its message is not as pleasant as many of the others.
Bement [her art teacher] told me things to read. He told me of exhibitions to go and see [c. 1917].. ..the two books that he told me to get were Jeromy Eddy 'Cubists and Post-impressionism' and Kandinsky 'On the Spiritual of Art'... It was some time before I really begun to use the ideas. I didn't start at until I was down in Carolina — alone — thinking things out for myself.
I painted 'the Shelton with Sunspots' [New York], in 1926. I went out one morning to look at it before I started to work and there was the optical illusion of a bite out of one side of the tower made by the sun, with sunspots against the building and against the sky. I made that painting beginning at the upper left and went off at the lower right without going back.
Loading...