Suppose we took a thousand negatives and made a gigantic montage: a myriad-faceted picture containing the elegances, the squalor, the curiosities, th… - Berenice Abbott

I wanted to photograph this subject because the signs’ shrieking blatancy literally cried out for a visual record. To my mind the faded, yellowing paper and the red paint were not particularly paint,able. In black and white the signs shouted, clamored for attention, in visual anarchy. At the same time, the shrewd business sense which plastered them solid over the entire window area produced, as it were by chance, an esthetic by-product: the whole has homogeneity and variety of texture, simultaneously, which give the picture interest.

Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.

People say they have to express their emotions. I’m sick of that. Photography doesn’t teach you how to express your emotions; it teaches you how to see.