Great men have foibles for which they can be forgiven; including an occasional failure to see where their greatness lies, or what might diminish it. - Perry Anderson

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Great men have foibles for which they can be forgiven; including an occasional failure to see where their greatness lies, or what might diminish it.

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About Perry Anderson

Francis Rory Peregrine Anderson (born September 1938, London) is a British historian and political essayist. A specialist in intellectual history, he is often identified with the post-1956 Western Marxism of the New Left.

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Alternative Names: Richard Merton Francis Rory Peregrine Anderson
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The international disputes which united and divided Luxemburg, Lenin, Lukács, Gramsci, Bordiga or Trotsky on these issues represent the last great strategic debate in the European workers' movement. Since then, there has been little significant theoretical development of the political problems of revolutionary strategy in metropolitan capitalism that has had any direct contact with the masses. The structural divorce between original Marxist theory and the main organizations of the working class in Europe has yet to be historically resolved. The May-June revolt in France, the upheaval in Portugal, the approaching dénouement in Spain, presage the end of this long divorce, but have not accomplished it. The classical debates, therefore, still remain in many respects the most advanced limit of reference we possess today. It is thus not mere archaism to recall the strategic confrontations which occurred four or five decades ago. To reappropriate them, on the contrary, is a step towards a Marxist discussion that has the—necessarily modest—hope of assuming an ‘initial shape’ of correct theory today. Régis Debray has spoken, in a famous paragraph, of the constant difficulty of being contemporary with our present. In Europe at least, we have yet to be sufficiently contemporary with our past.

It will take time to get a more settled sense of Thompson’s distinction as a historian and a writer. His work spans too many forms for easy judgement, and its aura can be a temptation to short cuts. But a tension between what might be called his nineteenth and his eighteenth century sensibility was certainly at the creative centre of it.

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Far from participating in a current literary scene agog with vogue and hyperbole, the LRB has kept what is widely perceived as a mandarin aloofness from it. Complicity with the institutions of literature, whether patrons or advertisers, is scarcely a charge that can be made against the paper.

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