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" "We are forced to distinguish between three kinds of speech: (1) The external, “rhetorical speech,” in the common meaning of this expression, which only refers to images because they affect the passions. Since these images do not stem from insight, however, they remain an object of opinion. This is the case of the purely emotive, false speech: “rhetoric” in the usual negative sense. (2) The speech which arises exclusively from a rational proceeding. It is true that this is of a demonstrative character, but it cannot have a rhetorical effect because purely rational arguments do not attain to the passions, i.e., “theoretical” speech in the usual sense. (3) The true rhetorical speech. This springs from the archai, nondeductible, moving, and indicative, due to its original images. The original speech is that of the wise man, of the sophos, who is not only epistetai, but who with insight leads, guides, and attracts.
Ernesto Grassi (May 2, 1902 – December 22, 1991) was an Italian philosopher.
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If Descartes’ main aspirations are directed towards a “first truth,” it follows necessarily that the sphere of pure possibilities, and with it the sphere of “probability,” is excluded from philosophy. Thus Descartes ignores, for example, both the art of rhetoric and history, as fields in which “the probable,” rather than the truth prevails.
The decisive step in Dante's reflections occurs with the assertion that originally, in an unhistorical time before man's revolt against God—symbolized for Dante in the construction of the tower of Babel—there was only a single language for all men. The fragmentation of this original language begins with the erection of the tower of Babel and, what is essential to this, work—the variety of differently structured activities. For Dante work means to convey a meaning to natural things and thereby to transform them with regard to some particular yet unattained goal.