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The time is out of joint. The world is going badly. It is worn but its wear no longer counts. Old age or youth-one no longer counts in that way. The … - Jacques Derrida
" "The time is out of joint. The world is going badly. It is worn but its wear no longer counts. Old age or youth-one no longer counts in that way. The world has more than one age. We lack the measure of the measure. We no longer realize the wear, we no longer take account of it as of a single age in the progress of history. Neither maturation, nor crisis, nor even agony. Something else. What is happening is happening to age itself, it strikes a blow at the teleological order of history. What is coming, in which the untimely appears, is happening to time but it does not happen in time. Contretemps. The time is out of joint. Theatrical speech, Hamlet's speech before the theater of the world, of history, and of politics. The age is off its hinges. Everything, beginning with time, seems out of kilter, unjust, dis-adjusted. The world is going very badly, it wears as it grows, as the Painter also says at the beginning of Timon of Athens (which is Marx's play, is it not). For, this time, it is a painter's speech, as if he were speaking of a spectacle or before a tableau: "How goes the world?-It wears, sir, as it grows.
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About Jacques Derrida
Jacques Derrida (15 July 1930 – 8 October 2004) was a French Algerian philosopher who introduced the practice of "deconstruction".
Also Known As
Alternative Names:
Jackie Derrida
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Jackie Elie Derrida
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Jackie Élie Derrida
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J. Derrida
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Additional quotes by Jacques Derrida
At the end of Being and Nothingness, ... Being in-itself and Being for-itself were of Being; and this totality of beings, in which they were effected, itself was linked up to itself, relating and appearing to itself, by means of the essential project of human-reality. What was named in this way, in an allegedly neutral and undetermined way, was nothing other than the metaphysical unity of man and God, the relation of man to God, the project of becoming God as the project constituting human-reality. Atheism changes nothing in this fundamental structure.
Oh. Marx's love for Shakespeare! It is well known. Chris Hani shared the same passion. I have just learned this and I like the idea. Even though Marx more often quotes Timon of Athens, the Manifesto seems to evoke or convoke, right from the start, the first coming of the silent ghost, the apparition of the spirit that does not answer, on those ramparts of Elsinore which is then the old Europe.
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The dissimulation of the woven texture can in any case take centuries to undo its web: a web that envelops a web, undoing the web for centuries; reconstituting it too as an organism, indefinitely regenerating its own tissue behind the cutting trace, the decision of each reading. There is always a surprise in store for the anatomy or physiology of any criticism that might think it had mastered the game, surveyed all the threads at once, deluding itself, too, in wanting to look at the text without touching it, without laying a hand on the "object," without risking- which is the only chance of entering into the game, by getting a few fingers caught- the addition of some new thread.
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