Christianity is always out of fashion because it is always sane; and all fashions are mild insanities. When Italy is mad on art the Church seems too … - G. K. Chesterton

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Christianity is always out of fashion because it is always sane; and all fashions are mild insanities. When Italy is mad on art the Church seems too Puritanical; when England is mad on Puritanism the Church seems too artistic. When you quarrel with us now you class us with kingship and despotism; but when you quarrelled with us first it was because we would not accept the divine despotism of Henry VIII. The Church always seems to be behind the times, when it is really beyond the times; it is waiting till the last fad shall have seen its last summer. It keeps the key of a permanent virtue.

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About G. K. Chesterton

Gilbert Keith Chesterton (29 May 1874 – 14 June 1936) was a British writer whose prolific and diverse output included works of philosophy, ontology, poetry, play writing, journalism, public lecturing and debating, literary and art criticism, biography, Christian apologetics (particularly for Catholicism), and fiction, including fantasy and detective fiction. He has been called the "prince of paradox".

Biography information from Wikiquote

Also Known As

Native Name: Gilbert Keith Chesterton
Alternative Names: František Kafka Kafka Gilbert K. Chesterton Gilbert Chesterton G.K. Chesterton G. K. C.
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Additional quotes by G. K. Chesterton

No one doubts that an ordinary man can get on with this world: but we demand not strength enough to get on with it, but strength enough to get it on. Can he hate it enough to change it, and yet love it enough to think it worth changing? Can he look up at its colossal good without once feeling acquiescence? Can he look up at its colossal evil without once feeling despair? Can he, in short, be at once not only a pessimist and an optimist, but a fanatical pessimist and a fanatical optimist? Is he enough of a pagan to die for the world, and enough of a Christian to die to it? In this combination, I maintain, it is the rational optimist who fails, the irrational optimist who succeeds. He is ready to smash the whole universe for the sake of itself.

But when fundamentals are doubted, as at present, we must try to recover
the candour and wonder of the child; the unspoilt realism and objectivity of innocence. Or if we cannot do that, we
must try at least to shake off the cloud of mere custom and see the thing as new, if only by seeing it as unnatural.
Things that may well be familiar so long as familiarity breeds affection had much better become unfamiliar when familiarity breeds contempt. For in connection with things so great as are here considered, whatever our view of them,
contempt must be a mistake. Indeed contempt must be an illusion. We must invoke the most wild and soaring sort of
imagination; the imagination that can see what is there.

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