So I had actually started making a piece. I was making this giant 50-year calendar thingie, but I was struggling with the technical realities of maki… - Ayobola Kekere-Ekun

It’s a weird one. It's work, but it's not. I really had to separate parts of myself to deal with different parts of my practice. Because while my work is quite literally my life, and whether or not that is healthy, that's a different conversation entirely. I suppose, if a lawyer told me their work was their life, I feel sorry for them. So whether or not that's healthy is a different conversation. But my work is my life. Every decision I have made in my personal life, since 2014, has been in service of the practice. I've had to learn to separate a side of myself that understands it's not just an expression of my being, it is quite literally my career. It's my job.

Creating an artwork this way can take her anywhere from two weeks to seven months, depending on the size and scope of the piece. The process usually starts with a sketch, before eventually becoming a “skeleton” of its future incarnation.

I'm perfectly fine with never figuring out what it is. Because, it’s a matter of what ifs. What if understanding those intangible qualities or variables that make my work what it is gives the power to actively shape my practice? But what if knowing the tangibility of the intangible compromises the spirit of the work? It's a bit a bit of a Pandora's box type thing. Like, it could be hella cool. But it could also not.