For that (the rapt one warns) is what papyr is meed of, made of, hides and hints and misses in prints. Till ye finally (though not yet endlike) meet … - James Joyce

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Engraved portrait of James Joyce, facing right

For that (the rapt one warns) is what papyr is meed of, made of, hides and hints and misses in prints. Till ye finally (though not yet endlike) meet with the acquaintance of Mister Typus, Mistress Tope and all the little typtopies. Filstup. So you need hardly spell me how every word will be bound over to carry three score and ten toptypsical readings throughout the book of Doublends Jined (may his forehead be darkened with mud who would sunder!) till Daleth, mahomahouma, who oped it closeth thereof the. Dor. (20.10-18)

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About James Joyce

James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist, short-story writer and poet.

Biography information from Wikiquote · Portrait adapted from Wikimedia Commons, James_Joyce_by_Alex_Ehrenzweig,_1915_restored.jpg: *James_Joyce_by_Alex_Ehrenzweig,_1915.jpg: Alex Ehrenzweig derivative work: RedAppleJack (talk) derivative work: Missionary (talk) (Public domain / CC0)

Also Known As

Birth Name: James Augustine Aloysius Joyce

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Additional quotes by James Joyce

Quoint a quincidence! O.K. Omnius Kollidimus. As Ollover Krumwall sayed when he slepped ueber his grannyamother. Kangaroose feathers. Who in the name of thunder'd ever belevin you were that bolt?

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What special affinities appeared to him to exist between the moon and woman?

Her antiquity in preceding and surviving successive tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising, and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inaffirmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribility of her isolated dominant implacable resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible.

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