A revolutionary age is an age of action; ours is the age of advertisement and publicity. Nothing ever happens but there is immediate publicity everyw… - Søren Kierkegaard
" "A revolutionary age is an age of action; ours is the age of advertisement and publicity. Nothing ever happens but there is immediate publicity everywhere. In the present age a rebellion is, of all things, the most unthinkable. Such an expression of strength would seem ridiculous to the calculating intelligence of our times. On the other hand a political virtuoso might bring off a feat almost as remarkable. He might write a manifesto suggesting a general assembly at which people should decide upon a rebellion, and it would be so carefully worded that even the censor would let it pass. At the meeting itself he would be able to create the impression that his audience had rebelled, after which they would all go quietly home — having spent a very pleasant evening.
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About Søren Kierkegaard
Søren Aabye Kierkegaard (5 May 1813 – 11 November 1855) was a Danish Christian philosopher and theologian, considered to be a founder of Existentialist thought and Absurdist traditions. He wrote critical texts on organized religion, Christendom, morality, ethics, psychology and philosophy of religion, displaying a fondness for metaphor, irony and parables.
Biography information from Wikiquote
Also Known As
Pen Names:
Victor Eremita
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A
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Judge William
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Johannes de silentio
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Constantine Constantius
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Young Man
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Vigilius Haufniensis
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Nicolaus Notabene
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Hilarius Bookbinder
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Johannes Climacus
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Inter et Inter
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H.H.
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Anti-Climacus
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B
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Johannes de Silentio
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Constantin Constantius
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P. CH. Kierkegaard
Native Name:
Søren Aabye Kierkegaard
Alternative Names:
Kierkegaard
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Climacus
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Sören Aaby Kierkegaard
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Additional quotes by Søren Kierkegaard
The humorous self-sufficiency of genius is the unity of a modest resignation in the world and a proud elevation above the world: of being an unnecessary superfluity and a precious ornament. If the genius is an artist, then he accomplishes his work of art, but neither he nor his work of art has a telos outside him. Or he is an author, who abolishes every teleological relation to his environment and humorously defines himself as a poet. Lyrical art has certainly no telos outside it: and whether a man writes a short lyric or folios, it makes no difference to the quality of the nature of his work. The lyrical author is only concerned with his production, enjoys the pleasure of producing, often perhaps only after pain and effort; but he has nothing to do with others, he does not write in order that: in order to enlighten men or in order to help them along the right road, in order to bring about something; in short, he does not write in order that. The same is true of every genius. No genius has an in order that; the Apostle has absolutely and paradoxically, an in order that.
This little book (which in view of the circumstances under which it is issued reminds me of my first and more especially of the first to my first, the Preface to the Two Edifying Discourses of 1843, which came out immediately after Either/Or) will, as I hope, recall this to ‘that single individual whom I with joy and gratitude call my reader’: ‘it desires to remain in retirement, as it was in concealment it had its origin – a little flower in the cover of a great forest.’ Preface. P. 313
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