Old Azureus's manner of welcoming people was a silent rhapsody. Ecstatically beaming, slowly, tenderly, he would take your hand between his soft palm… - Vladimir Nabokov

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Old Azureus's manner of welcoming people was a silent rhapsody. Ecstatically beaming, slowly, tenderly, he would take your hand between his soft palms, hold it thus as if it were a long sought treasure or a sparrow all fluff and heart, in moist silence, peering at you the while with his beaming wrinkles rather than with his eyes, and then, very slowly, the silvery smile would start to dissolve, the tender old hands would gradually release their hold, a blank expression replace the fervent light of his pale fragile face, and he would leave you as if he had made a mistake, as if after all you were not the loved one - the loved one whom, the next moment, he would espy in another corner, and again the smile would dawn, again the hands would enfold the sparrow, again it would all dissolve.

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About Vladimir Nabokov

Vladimir Vladimirovich Nabokov (22 April (O.S. 10 April) 1899 – 2 July 1977) was a Russian-American writer. He wrote his first literary works in Russian, but gained international prominence as a masterly prose stylist for the novels he composed in English; his Lolita (1955) is frequently cited as one of the most important novels of the 20th century.

Biography information from Wikiquote

Also Known As

Native Name: Владимир Владимирович Набоков
Alternative Names: Vladimir Vladimirovich Nabokov Vladimir Sirin Vl. Sirin Wladimir Nabokoff-Sirin V. Sirin Nabokov
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Additional quotes by Vladimir Nabokov

While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave.
Although Lucette had never died before — no, dived before, Violet — from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter.
Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair — t,a,c,l — she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note.
Got it.
The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes — telling them to pass it on and on in a trick-crystal regression — that what death amounted to was only a more complete assortment of the infinite fractions of solitude.
She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and

while the scientist sees everything that happens in one point of space,
the poet feels everything that happens in one point of time.

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