In life, most people are unable to let go of this and that; specifically, they cannot put down their money, their wealth, fame, and social status. In… - Sheng-yen

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In life, most people are unable to let go of this and that; specifically, they cannot put down their money, their wealth, fame, and social status. In death, even though they should be able to put down everything, many still cannot. Because they cannot relinquish their “smelly skin bag” (chou pinang 臭皮囊), they’re propelled to buy a piece of land to house it. These are the foolish things that people do.

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About Sheng-yen

Sheng Yen (Chinese: 聖嚴 Shèngyán; 22 January 1931 – 3 February 2009) was a Taiwanese Chan Buddhist monk, religious scholar, and writer. Sheng Yen was the founder of the Dharma Drum Mountain, a Buddhist organization based in Taiwan.

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Alternative Names: Shengyan
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Additional quotes by Sheng-yen

Silent illumination is actually the most direct method, because Chan is not something that you can use your mind to think about. It’s not something that you can use any words or form of language to describe. The method is simply to do away with any method of practice. Use no method as the method itself. … The silent illumination method is to not have any thoughts. At that moment you just put down everything, and that is the state of Chan itself. Silent doesn’t mean falling asleep. That’s why we have to follow the word “silent” with the word “illumination,” that is, your mind must be very clear.

Only Chan Buddhism as a school (zong 宗) retains the spirit of Chinese civilization; only the Chan school can unify and absorb the essential teachings of all the various Mahāyāna Buddhist traditions without ever falling into deterioration.

The supreme realization is seeing the original nature of mind. It neither affirms nor negates any conceptual point of view; hence it does not need language for expression. One can exhaust the resources of language and still not express ultimate Chan. This is because Chan transcends knowledge, symbols—the entire apparatus of language. You may call Chan “emptiness,” but it is not emptiness in the nihilistic sense, of “there is nothing there.” You may call it “existence,” but it is not existence in the common sense, of “I see it, so it must be there.” It is existence that transcends the fiction of our sense impressions of the world: of sight, sound, smell, taste, touch, and form. Yet this Chan is never apart from, is all of a piece with, our everyday world. It is indwelling in all beings, everywhere, at all times.

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